Filipino-Canadian rap artists will be celebrated at a initial-of-its-sort awards demonstrate this weekend.
The inaugural FilCan Audio Rap Awards, a virtual function, will get put on June 12, Philippine Independence Day.
“There’s a whole lot of quite, incredibly passionate, committed Filipino-Canadian rappers or artists, but they have been never ever finding any variety of recognition,” explained Raymond Garcia, a single of the occasion organizers and himself a member of the rap team Southeast Cartel.
“We recognized, ‘Hey, you can find no a person that is going to identify us. We must do it ourselves.’ “
The virtual application is presented by VIBEANT, a Toronto-based mostly on the internet arts journal, and the FilCan Songs Association, a community of Filipino-Canadian DJs, dancers, artists and admirers. It will present awards in six categories for tunes manufactured in 2020. There are 16 finalists and winners are selected by well-liked vote.
Enjoy | Right here are the nominees for the FilCan Songs Rap Awards:
The function aims to deliver with each other Filipino-Canadian rappers from coast to coast to celebrate every other’s achievements, discover inspiration and collectively enhance the mainstream profile of their imaginative do the job.
“It is really about time that we Filipinos appear together and put our forces jointly and generate a system for ourselves,” explained Calgary rap artist Ryan de Guzman, also recognized as Rubix.
“Filipinos are some of the most artistic, musically gifted persons in the world, and we are worthy of it. We are entitled to a platform like this. We ought to have to be celebrated like this,” mentioned Rubix, whose pre-taped efficiency of his music Untitled will be performed through the occasion.
Calgary rapper Twizzie Ramos is a finalist for album of the year. He states he is humbled and energized by the recognition from his fellow Filipino-Canadian hip-hop artists.
“It is really an honour to be nominated for this award, due to the fact that’s a group that assisted me get to wherever I am. And I will for confident carry that with me where ever I go,” he said.
Group and competitors
Raymond Garcia estimates there are about 60 to 80 active Filipino-Canadian rap artists these days.
More than the past couple of decades, he’s organized events and meet-ups for Filipino rappers in metropolitan areas like Toronto, Montreal, Calgary, Edmonton and Vancouver, where by he’s noticed the range of rappers attending raise.
But while hip-hop society is substantial in Filipino circles, with celebrated DJs, dancers and graffiti artists, Garcia claims rappers in the neighborhood have not shared the similar limelight.
He recommended just one purpose is that rap has sometimes had adverse connotations and been association with “gangsta” daily life. He stated a second is many artists have been more concerned with competing versus each and every other than with collaborating.
The ‘crabs in a bucket’ mentality
Garcia begun developing rap new music 15 years ago in the Greater Toronto Space, and at the time, he says there had been sturdy rivalries, partitioned along geographical strains inside the rap community.
Filipino-Canadian rappers from Mississauga needed almost nothing to do with counterparts from Toronto, Scarborough or North York, and vice versa, Garcia claimed.
While he liked the aggressive aspect, he recognized it was hurting the rap community collectively.
Garcia describes it as the talangka or “crab” mentality in Filipino society.
“It’s the thought where by, when you put crabs in a bucket, alternatively of serving to each and every other get out of that bucket, they pull each individual other down when they them selves are trying to escape,” he mentioned.
“It truly is like when you see one more Filipino do one thing, as a substitute of hoping to aid them or seeking to see the great out of it, a good deal of people’s inclination is to see the destructive.”
According to Garcia, this limited the Filipino songs community’s means to increase.
“It just arrived at a stage exactly where it wasn’t heading to go anywhere. It was not heading to evolve, since everyone was also competitive, and we were not signing up for forces to actually generate some thing that could enable all of us.”
But he is witnessed a shift not long ago and says the neighborhood is beginning to improve for the reason that a new technology of up-and-coming artists are recognizing the price of supporting their competitiveness.
Ramos says he is excited to see his fellow artists come together with a shared reason.
“FilCans are collecting and just shelling out respects to each and every other, serving to every other, developing just about every other up for that upcoming degree.”
Still, other challenges remain.
Past gangsta rap
“No a person really sees Filipinos as rappers. We’re really gifted singers. We are usually in bands. And of training course, folks give credit to that. But the rap scene was really underground and had a great deal of damaging political views toward it,” Garcia reported.
“I consider one particular of the largest misconceptions was that rap was just gangsta rap,” he reported. “But in this situation, it’s not. Rap is an artwork variety. It’s a culture.”
And it’s a lifestyle that’s changing.
“Even if you didn’t like rap new music 10 or 20 a long time back, at present the content, a lot of it is quite uplifting. A good deal of it is inspiring,” Garcia mentioned.
He noted that both the output and the reach of Filipino rap songs is expanding thanks to social media, new new music streaming platforms, and far more accessible recording and editing program.
“It truly is actually being widened because of so many distinctive artists currently being in a position to generate music. And a large amount of them are striving to make tunes which is real to by themselves.”
“The objective of pushing for the FilCan motion is for it to grow to be global sooner or later,” stated VIBEANT founder and creative director Raphael Tigno.
Currently, the FilCan Music Rap Awards are starting off to garner international recognition.
The occasion has attracted the interest of Anygma, CEO of FlipTop, which payments itself as the major functioning professional rap struggle convention in the Philippines. It’s also been featured on Heavy Rotation, a San Diego-based podcast concentrating on Filipino hip hop and R&B tunes globally.
Rubix claims it is really just the beginning.
“I hope that this can carry on escalating and rising and escalating, not only for Filipinos, but for all tunes enthusiasts, actually.”