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Addressing a collective sense of urgency in these periods, these Change assignments elevate Indigenous lifeways in empowering communities and furnishing platforms for essential discussions about the state of the world.

The Indigenous Arts and Cultures Basis (NACF) is happy to announce the 1st cohort of the Shift – Transformative Modify and Indigenous Arts program awardees. Adhering to a nationwide open up connect with for American Indian, Alaska Indigenous and Indigenous Hawaiian artists, purposes had been reviewed by a panel of arts professionals in numerous parts of know-how. Fifteen projects were picked to acquire a $100,000 two-yr award built to assistance artists and local community tasks responding to social, environmental and economic justice problems to attract improved attention to Native communities.

The Change – Transformative Adjust and Indigenous Arts program gives multi-yr solutions for Indigenous artists and cultural practitioners to perform on expansive projects for community engagement and presentation in collaboration with partner companies. “Addressing a collective perception of urgency in these occasions, these Change initiatives elevate Indigenous lifeways in empowering communities and delivering platforms for important conversations about the point out of the globe,” states Reuben Roqueñi, Director of Transformative Improve Systems.

Chosen artists for the Shift 2021 (outlined by concentrate area):

Therapeutic AND Community&#13

  •     Larissa FastHorse (Sicangu Lakota Country) in partnership with Cornerstone Theater Company. FastHorse’s D/N/Lakota Project is a socially engaged overall performance task that combines participatory analysis with theater-creating, inviting neighborhood contributors to share personalized tales and civic and social problems.
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  • Rosy Simas (Seneca, Heron Clan) in partnership with Weisman Art Museum. Simas’ task she who lives on the street to war is an immersive installation and overall performance task responding to the decline of hope and lifetime our communities have expert all through the twin pandemics of systemic racism and COVID-19.


  • Anna Hoover (Unangax̂ [Aleut]) in partnership with Native Peoples Action Group Fund. Hoover’s Voices of the Land venture is an Indigenous justice documentary film grounded in put, tradition, and Alaska Indigenous methods of daily life.
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  • Will Wilson (Citizen of the Navajo Country) in partnership with Diné College or university. Wilson’s challenge Reframing Indigenous Remediation: Uranium on Dinétah will address the legacy of uranium extraction and processing on the Navajo Country.


  • Drew Kahuʻāina Broderick (Kanaka ʻŌiwi) in partnership with Pu’uhonua Culture. Broderick’s undertaking ʻAi Pōhaku, Stone Eaters is a team exhibition centered on an intergenerational cohort of modern Native Hawaiian artists addressing complex historical and existing-working day issues of Native Hawaiian self-determination.
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  • Emily Johnson (Yup’ik) in partnership with New York Dwell Arts. Johnson’s challenge Staying Foreseeable future Remaining is a dance overall performance/system which asks audiences to take into consideration tales with the electric power to sustain a globe that have to get started once again.
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  • Moses Products (Kānaka Maoli) in partnership with Honolulu Theatre for Youth. Goods’ venture KII A LOAA is a internet site-particular encounter to reclaim important areas in Honolulu by making “digital monuments.”
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  • New Pink Get (artist collective) in partnership with Artistic Time. New Purple Order’s job Give It Back is the enactment and very long-phrase development of an Indigenous-led motion and community house to repatriate land back again to Indigenous peoples in New York City and around the world.
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  • Postcommodity (artist collective) in partnership with the College of Arkansas, College of Art. Postcommodity’s challenge Cosmovisión is a musical instrument done by four men and women at the same time using joystick controllers, interactive online video, and seem to co-ascertain relationships involving land, neighborhood, and worldview.


  • Ciara Lacy (Kanaka Maoli) in partnership with Pacific Islanders in Communications. Lacy’s project The Queen’s Flowers is a whimsical, animated brief movie created to give Indigenous Hawaiian children an entertaining and empowering way to access their heritage.
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  • Lily Hope (Tlingit) in partnership with Goldbelt Heritage Foundation. Hope’s undertaking Guarding the Substance Sovereignty of Our Indigenous Homelands will present mentorship to a number of weavers by intergenerational investigate, documentation, and advocacy instantly addressing indigenous land sovereignty.
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  • Raiatea Helm (Kanaka Maoli) in partnership with Kealakai Center for Pacific Strings. Helm’s venture A Legacy of Hawaiian Track and String will examine the tunes of late 19th-century composer and musical prodigy Mekia Kealakai even though spreading the information of the colonial theft of the Hawaiian Kingdom.
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  • Sabra Kauka (Indigenous Hawaiian) in partnership with Garden Island Arts Council and Nationwide Tropical Botanical Garden. Kauka’s job E Ho’omau (to perpetuate) will concentrate on the artwork of Kapa and botanical dyes by coming up with and creating costumes for 20 gals and ten men in a halau (hula faculty) for their participation in Merrie Monarch, the world’s premier hula pageant.

MENTORING + Training&#13

  • Raven Chacon (Diné) + Michael Begay (Tribal Member of the Diné Country) in partnership with the Grand Canyon Music Pageant. Chacon and Begay will mentor youth in the Native American Composer Apprentice Job to support, endorse, and amplify younger creative voices on the Navajo and Hopi Nations.
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  • Stephen Qacung Blanchett (Yup’ik) in partnership with Outdated Harbor Alliance. Blanchett’s undertaking Cuumillat’stun – Like Our Ancestors will produce a sequence of workshops to improve Sugpiaq/Alutiiq drumming and dancing, fostering the advancement of a new technology of composers and choreographers in the seven communities that reside on Kodiak Island.

Indigenous Arts & Cultures Foundation is grateful for the generosity of our rising circle of supporters. Thank you to the subsequent in aid of our nationwide packages this yr: The Collins Foundation, Cotyledon Fund, Ford Basis, Leon Polk Smith Foundation, MacKenzie Scott and Dan Jewett, NoVo Foundation, Open Modern society Basis, Rainbow Pineapple Basis, and Rincon Band of Luiseño Indians.

About the Indigenous Arts and Cultures Foundation &#13

The Indigenous Arts and Cultures Foundation’s mission is to advance equity and cultural awareness, focusing on the electric power of arts and collaboration to fortify Indigenous communities and endorse positive social transform with American Indian, Indigenous Hawaiian, and Alaska Indigenous peoples in the United States. The Foundation has supported over 300 artists and arts businesses in 34 states and the District of Columbia. To study much more about the Native Arts and Cultures Basis, visit

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