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  • PHOTO COURTESY GEORGE EASTMAN MUSEUM
  • For much of his career, photographer Carl Chiarenza made collages from ripped paper and other bits of detritus and photographed them, resulting in quietly powerful abstract images such as the 1990 gelatin silver print, “Untitled 280,” seen here.

A lot has changed for photographer Carl Chiarenza since the 1950s, when as a teenager he was a valet parker at a new museum then called the George Eastman House. In those

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