Polaroid took a step forward in each form and function when it released its sleek SX-70 in April of 1972. I admire Meisel’s function because of how inventive it is. He requires beauty and turns it around in his photographs. His work was discussed a bit in a 1991 New York Times article on seven diverse modern-day surrealist artists who had participated in a show collectively. Many of his pictures are developed with extended exposures and intentional camera movement, each of which he continues to use these days in his social photography. He worked tirelessly to cover five different wars, … Read More